Category: Music

  • Pearl Jam live in Melbourne 20 November 2009

    Pearl Jam live in Melbourne 20 November 2009

    I was one of the 50,000 people that was lucky enough to catch Pearl Jam’s show in Melbourne at Etihad Stadium (formally Telstra Dome) on Friday night (20 November 2009).

    Warning: If you’re not a Pearl Jam fan then what follows may not be your cup of tea.

    To say that I’m a Pearl Jam fan is something of an understatement. I’ve seen them live six times now, and own pretty much anything they’ve put their name to. Previously when they’ve come to Australia they’ve played two or three shows in Melbourne at smaller venues (eg. Rod Laver arena which holds about 10-15,000 I think). This time around though they are only playing the one big arena show at each major capital. At first this kind of bummed me out, cause it meant I’d only get the chance to see them once, but then once is better than not at all. On the plus side though, their decision to bring Ben Harper along for support was a big positive.

    I’d been able to pick up General Admin tickets in “The Fixer” field, which on the map appeared to be the first quarter of the total general admin area, but in reality was probably more like half of the oval. Friday was a hot day, and with the roof closed, Etihad Stadium was a steam box. Walking into the stadium, with my sister, and fellow fan, just after the doors opened, the one thing I immediately noticed was the scale of the place. I’d been to a couple of football games there, but on Friday, with the stage up one end of the ground, it just looked bigger. After navigating my way through the various checkpoints we arrived at “The Fixer” field, then took up our position about 15 people back from the stage right in front of where Mike McCready would set up shop.

    Liam Finn was the first support act to hit the stage at around 6pm, ripping through a short-ish set of material from his solo album. Rather than having a full band behind him Liam Finn made use of loops to back himself. For example, he’d play a few bars on the drums, sample and loop it, then pick up guitar and play along to that. At first it was interesting, but after the initial curiosity wore off I couldn’t help but think he’d sound a heap better with a full band behind him. I think the fact that he was live sampling/looping his stuff was lost on some people as I heard a few mumblings around me along the lines of “Who’s playing the bass? Where are the drums coming from? Is he using a backing tape?” All up though it was an entertaining and energetic little set.

    Ben Harper and the Relentless 7 hit the stage at around 7pm playing a rock based set made up largely of newer material, with a couple of older tunes thrown in for good measure. Diamonds on the Inside was as mellow as it got from Ben Harper. For most people the highlight of his set was probably the special guest appearance from Eddie Vedder on the cover ‘Under Pressure’. The crowd went crazy, and if there was ever any doubt about who people had come to see, it was most definitely put to rest.

    When Ben Harper left the stage, there was a 30 min interval before Pearl Jam were due. Thinking it was as good a time as any, and given that it was hot as hell, my sister headed for the drinks stand. Twenty minutes later the crowd had packed tighter she hadn’t returned, so I did the brother thing and went looking for her, suspecting she’d got stuck on the way back. I was right. Long story short, I found here, but by that time the crowd was so thick we were never getting back to our spot. All things considered though, by the time the guys did walk out on stage, we’d managed to make it almost back to our starting spot.

    Pearl Jam opened with the relatively mellow ‘Elderly Woman…’ as if to get a feel for the audience, before launching into the rockier sure fire crowd pleasers Corduroy and Animal. From there it was ‘Got Some’ from their latest album, which translated well live.

    Then there was the first surprise in the set, ‘Brother’ that was a b-side from the Ten sessions making an appearance. It was the first time I’d heard it live and it was sublime, complete with its tribal style chanted chorus. From their it was a mix of older favourites mixed in with the new tracks that stood up well against a lot of the ‘classics’.

    The set list drew heavily from the ‘Ten’ album, with the band playing eight songs from their first release.

    By the time the first set drew to a close I was trying to figure out what would come next.

    Eddie Vedder came out solo for the start of the first encore, to strum his way through the Neil Young song, “Needle and the Damage Done”, inspired, he said, by Liam Finn’s earlier cover of another Neil Young classic “Cinnamon Girl”. Ben Harper then joined the band on stage to play some guitar on “Red Mosquito” then joined Eddie Vedder for “Indifference”. The band then rolled into four “Ten” tracks in a row, “Jeremy”, “Deep”, “Why Go” and “Porch”.

    The second encore opened with Eddie Vedder joined on stage by Liam Finn for a cover of the Hunters and Collectors song “Throw Your Arms Around Me”, before launching into crowd pleasers “Black”, “Spin the Black Circle” and “Alive”. Half way through the Who cover Baba O’Reily the house lights started to kick on and it looked like it may all be over, but the band then kicked into “Yellow Ledbetter” which has almost become the trademark finale.

    Maybe it was just me, and maybe I’m getting old or my tolerance isn’t what it used to be, but in my opinion there was a larger bogan/meat head contingent at this gig than any of the past shows I’ve been to. I think there was a correlation between proximity to the stage and percentage of dickheads. It seemed like as we got further back, the number of drunken dickheads increased. Why you would pay $100+ to go to a Pearl Jam gig only to get so shit faced that you can’t even stand at a urinal without falling in is beyond me. I guess booze would be the excuse another drunken young gent would be using to explain why he thought it’d be a good idea to piss into a bottle while standing in the middle of the crowd. Right before the first encore break, my sister needed a time out for a sit down and water at the first aid tent, not long after she’d rejoined me there was some kind of scuffle that saw the chairs flying and security called in. Didn’t really see what happened, why it started, or how it ended, but I’m chalking it up to booze as well. Drunken macho dickheads aside though it was good show.

    For me the highlights were “Brother”, “Present Tense”, “Indifference” and “The Needle and the Damage Done”. Pearl Jam remain one of the few live bands that continue to produce at the highest level, and their ability to command a crowd, even one as large as that on Friday, is a testament to the hard work that they clearly put in. The fact that they were rocking for a good two and a half hours, playing some 32 songs, in damn hot conditions also speaks volumes of their commitment to put on an awesome show, as well as their fitness.

    Eddie Vedder continues to hold his position as my number one front man of choice, and if Friday night is anything to go by, it’s going to take a lot for someone to come along and knock him off top spot. He oozes charisma like few other people, and to be perfectly honest, the guy could release a cd of himself reading the phone book and I’d be lining up to buy it.

    If you haven’t seen Pearl Jam before and get the chance on their current tour, make sure you get along, cause the band are as energized as ever.

    For those of you into this sort of thing, here’s Pearl Jam’s complete set list from their November 20 show at Etihad Stadium in Melbourne.

    Set 1

    Elderly Woman Behind The Counter In A Small Town
    Corduroy
    Animal
    Got Some
    Brother
    Amongst The Waves
    Even Flow
    Oceans
    Lukin
    Green Disease
    Force of Nature
    Present Tense
    Gonna See My Friend
    Given To Fly
    Daughter/Another Brick In The Wall
    Glorified G
    The Fixer
    Do The Evolution

    Encore 1

    The Needle and The Damage Done
    Just Breathe
    Red Mosquito
    Indifference
    Jeremy
    Deep
    Why Go
    Porch

    Encore 2

    Throw Your Arms Around Me
    Black
    Spin The Black Circle
    Alive
    Baba O’Riley
    Yellow Ledbetter

  • Meg White sex tape fake yet still “news”

    Meg White sex tape fake yet still “news”

    Well here’s some sloppy reporting from the Sydney Morning Herald (SMH), with the SMH website reporting that Meg White, “drummer” of the White Stripes, was the ‘star’ of the latest celebrity sex video doing the rounds.

    As of writing this, the SMH “Meg White sex video claim” story is the second most viewed story on the SMH website. The story was first published on the SMH site at 12.30pm on the 26 September. The article signs off with:

    “Representatives for the band are yet to confirm or deny the video is genuine.”

    Meg White sex video claim“, The Sydney Morning Herald, September 26, 2007 — 10.30pm.

    I have to say, it’s an attention grabbing story, I guess the only problem is that it’s not all that accurate.

    What’s wrong with the story you ask? Well, anyone with access to Google, which I’m assuming is readily accessible by the people at SMH headquarters, can tell you within about 30 seconds that the “sex video” is a fake. In fact, it took me all of 30 seconds to find a statement from The White Stripes publicist Chloe Walsh:

    “Some people have a very twisted sense of humor and this prank is in particularly bad taste. The tape circulating on the internet as featuring Meg White is fake. It’s definitely not Meg.”

    Statement released by White Stripes publicist Chloe Walsh, quoted here, here and here (amongst many other publications).

    You can also find similar sentiments on the PitchFork Media website, and countless others if you can be bothered surfing around for more than 30 seconds!

    Now did you pick up on the date that The White Stripes publicist released the statement? Yahuh, the 24 September 2007. Now even when you take into account the timezone difference, SMH went ahead and published their story stating that “Representatives for the band are yet to confirm or deny the video is genuine” almost two days after the publicist came out and said that the video didn’t feature Meg White. So yes, very sloppy effort SMH!

    Actually, if anyone from SMH reads this, here is the story behind the now infamous – not actually Meg White – sex tape. It all started with a guy (‘Itsmecraig’) who was a frequent visitor to the Hipinion internet forum. This guy posted a video at that forum, with the post title “MEG WHITE SEX TAPE” (WARNING: not everything on that page is ‘work safe’). So this happens on the 17 September. For the next day or two a few of the frequent forum visitors posted the obvious jokes that you might come to make (eg. “that can’t be Meg White, that girl can keep rhythm”).

    It wasn’t long before the thread was “wiki’d” and not long after the sex tape story was picked up as ‘fact’ by a number of outlets. Things obviously snowballed from there.

    Then on the 24 September, “Itsmecraig” checked back in on his one week old thread:

    oh sh!t dudes,

    i found this video through random wank mining efforts and put it up here cause i figured you guys would have a laugh. it had nothing to do with meg white when i found it.

    So there you go, a random guy, posts a random porn video, labels it as a celebrity, and it gets picked up and run worldwide as news. It’s both funny and sad that news outlets didn’t bother to check if the story was based on fact at all! So the Sydney Morning Herald fail on two counts. They published old ‘news’ that had already been proven false. Sometimes the quality of Australian print media is laughable, I guess you could file the Meg White “sex tape” as exhibit A.

  • Silverchair & Powderfinger (Across the Great Divide Tour) 19 September 2007

    Silverchair & Powderfinger (Across the Great Divide Tour) 19 September 2007

    My ears are still ringing from last nights Silverchair/Powderfinger double bill, Across the Great Divide show at Rod Laver Arena. From where I was, the stadium appeared to be at near capacity.

    Support act for the night was Expatriate. They put on an entertaining half hour or so of music, but I have to say, playing the support slot must be one of the toughest gigs in music!

    Silverchair and Powderfinger both played full sets with Silverchair coming out first. They played quite a few songs from their latest album, Young Modern, as well as a mix of their older stuff. The tracks from Young Modern really stood up well live. Young Modern is an eclectic album, musically it jumps all over the place, and before hand I wondered how they’d be able to pull off tracks like Thieving Birds live.

    Powderfinger followed with their set consisting largely of songs from their new album Dream Days at the Hotel Existence. They also played a few tracks from Vulture Street and Odyssey Number Five.

    At the end of the show Powderfinger were joined onstage by Silverchair to blast out a quick rendition of the Who song, Substitute.

    I have to say Dream Days is not my favorite Powderfinger album, so their reliance on material from that album means that I’d have to hand the battle of the bands title to Silverchair.

    In my opinion, Silverchair really stole the show. There is so much more light and shade in their music, which really stood out in comparison to Powderfinger’s more ‘meat and potatoes’ style rock. That’s not to say that meat and potatoes is bad, just that Silverchair had a far more varied library of material to draw from, which I would argue, made for the better show.

    If you get a chance to catch the Across the Great Divide tour, I’d highly recommend getting along (if you can find a ticket!). It was definitely entertaining, and also fantastic value for money. Two of Australia’s biggest bands, playing full sets, all for the price of one!

    Now I think it’s time I caught a little more shut eye…

  • Tool @ Myer Music Bowl, Melbourne, 31 Jan 2007

    Tool @ Myer Music Bowl, Melbourne, 31 Jan 2007

    Like Muse the night before, this was my first time seeing Tool play live in the flesh. Having listened to their albums for years, and hearing about their live show second hand, my expectations were fairly high. I’d heard the last time they played Melbourne, for the Lateralus tour, they were on stage for close to 3 hours with a 10 minute break/intermission.

    That was roughly 5 years ago now, and based on last nights performance, things must have changed. The opening act was Shapeshifter, a drum and bass outfit from New Zealand. They weren’t too bad actually. Far better than Ground Components in any case. They were on and off stage before the sun had set.

    Tool @ Myer Music Bowl, Melbourne, 31 January 2007 Gig Poster

    The weather was near perfect and the outdoor venue far nicer than Festival Hall. Tool hit the stage at 9pm on the dot. Kicking out Stinkfist it was immediately clear that the band were preaching to the converted. They quickly followed up with 46&2 by which point they had the crowd eating out of the palm of their collective hand. Jambi and Schism had things rocking along nicely. Maynard James Keenan was set back on the stage, and from where I was, I could hardly see him. The trippy visuals and light show made up for the general lack of activity onstage.

    At times the vocals sounded like they were set a little too low in the mix, but in general the sound was excellent, particularly for a wide open outdoor venue. After Schism, things slowed down a notch. For me Lost Keys and Rosetta Stoned are not two of the highlights from 10,000 Days, and they were given a little to much airtime. Sections of the crowd seemed to get a little restless, bogans started taking calls on their mobile phones talking up the show to their mates. “Oh mate, it’s going off, they’ve been playing for like two hours”. Ummm… someone perhaps needed to point out that the band had only been playing for some 45mins at this stage but anyway I digress.

    It was probably at around this point in the show that some clown decided it would be a great idea to scale the Myer Music Bowl roof. He was up there for 10 mins or so, playing up to the crowd, but for some reason he decided to climb back down. Probably not a wise move given that a tonne of police and security were waiting at the bottom, ready to cart him off, and end his night.

    The show ramped up again by the time the band busted out Lateralus. Vicarious was the highlight for the night, it really stood out from everything else, and proved that it was as good a song as anything else Tool has released.

    The night ended with Aenima, and a suggestion by Maynard that the band will be back in the summer, adding fuel to the rumor they’ll be touring Australia again in November later this year.

    Then, that was it, it was over. An 11 song set that spanned roughly 1 hour and 45 minutes. No encore. No 3 hour epic performance. As good as the band was, I couldn’t help but feel a little short changed. They’d sold out the Myer Music Bowl, at $100 per ticket, and they hadn’t even hit the rumored 11pm Music Bowl curfew. The band was tight, the songs they played hit the mark, but you’ll have to forgive me, I wanted more! The other thing I noticed was that there were quite a few dip shits that thought the middle of a Tool concert would be a great time to have a conversation on their mobile phones.

    There were three things that really stood out for me after seeing Tool live.

    1. Danny Carey is a phenomenal drummer. He was hitting the skins hard and the shifting time signatures could not be easy to pull off live, but he never missed a beat. I now see why he’s the poster boy for all the bedroom drummers out there.

    2. Tool are not the most active band I’ve seen on stage. They make up for it with an amazing light show (which included laser lights), but at the same time, the general lack of activity or crowd interaction could give the impression that they aren’t really happy to be there. In that regard, it’s perhaps understandable why some people right them off as a wank rock shoe gazer band. In terms of stage performance, I’d have to say Muse, from the night before, set a very high bar.

    3. The band has been around for a good 15+ years and has built up a strong back catalogue of songs. That’s why an 11 song set that only just crawled past the hour and a half mark (on the back of a feedback filled defacto band break?) didn’t seem quite fair.

    All in all, Tool are a class live act, and definitely one I’m glad to have seen. Their performance was faultless, I just wonder if I have missed seeing them in their prime?

    Again, for the rock nerds, here is the set list from last night show. It may or may not be accurate so corrections are welcome.

    Stinkfist
    46&2
    Jambi
    Schism
    Lost Keys
    Rosetta Stoned
    Wings for Marie
    10,000 Days
    Lateralus
    Vicarious
    Aenima

  • Muse @ Melbourne, Australia, Festival Hall 30 January 2007

    Muse @ Melbourne, Australia, Festival Hall 30 January 2007

    Last night I saw Muse live for the first time. I’ve got both of their live DVD’s which are cool, but after seeing them play live last night, I have to say, they don’t do them justice.

    The support act, Ground Components, weren’t my cup of tea really. The lead singer got on my nerves, carrying on like a kid who didn’t get enough attention in primary school.

    Muse came on and blasted straight into Knights of Cydonia, one of my favourite tracks from their latest album. The light show and screens behind the band looked fantastic, it certainly didn’t seem that they had skimped on production just because it was a Big Day Out side show. The bulk of the songs played came from Black Holes and Revelations, and Absolution. The band seemed happy to jam out a few of the songs which I personally appreciated.

    During Bliss (at least I think it was during Bliss?) massive balloon things came out into the crowd, filled with confetti stuff that sprayed everywhere when the balloons burst.

    They ended the night with Stockholm Syndrome and Take a Bow. Both rocky numbers and hard songs to top. The energy the band gave off was pretty impressive, and made up for the stinky venue, Festival Hall (or is that Festering Hole?).

    If Muse ever roll into your town, snag some tickets ASAP. Top night. For rock nerds, a copy of last nights set list is below (it was posted in a Muse forum).

    Set list:

    Knights of Cydonia
    Butterflies and Hurricanes
    Assassin
    Map of the Problematique
    Plug in baby
    Forced in
    Hysteria
    Feeling good
    Hoodoo
    Invincible
    Supermassive Blackhole
    Time is running out
    New born
    Starlight
    Bliss
    Stockholm Syndrome
    Take a bow